✖ Simply Whishaw — A Tumblr Source for Ben Whishaw

So as we waited for the curtain to rise in the Walter Kerr Theatre, sitting next to Sean Penn, who is easily one of my favourite actors, the point came across loud and clear: Magic happens in NYC and we happened to be catching an act that evening.

Regardless of your seatmate, The Crucible is an experience worth having. It’s directed by Ivo van Hove, the theatre legend who delivered a highly praised production of Arthur Miller’s A View From the Bridge on Broadway late last year. Set during the Salem witch trials of the late 1600s, The Crucible was written in the 1950s as a parable about McCarthyism, but it continues to be eerily prophetic, especially in the face of today’s escalating xenophobia and religious discrimination.

John Proctor (Whishaw), the well-meaning husband of Elizabeth Proctor (Okonedo), tests the limits of the old “hell hath no fury” adage when he tries to move past his indiscretion with young Abigail Williams (Ronan). The Proctors former servant, Abigail also dabbles in witchcraft. When the townsfolk suspect her and her friends of ill doing after a few mysterious deaths and some late-night incantations in the woods—in the buff—they turn around to point their fingers at others, including the Proctors. From there, things quickly spiral down the rabbit hole.

The Crucible’s set is spare yet detailed, and dimly lit—glowing candles here, a fiery stovetop there. Among other pieces, it features an ever-present chalkboard in the background, where characters occasionally write commandments or proclamations as the audience is schooled in the dark arts of humanity: judgment, fear, dishonesty, blame.

The play’s music, by celebrated stage and screen composer Philip Glass (The Hours, Fantastic Four), feels almost ambient. It pulses throughout much of the production, sometimes with strings, others with percussion, mostly subdued but nearly always present.

The Crucible’s biggest success comes in the form of its large and highly skilled cast, delivering fine performances all around. It was a privilege to watch Ronan (Atonement, The Lovely Bones), a gifted film actor, perform live. Other standouts include Okonedo (Hotel Rwanda) and Whishaw (The Danish Girl and, most notably, Q from Spectre and Skyfall). They deliver extraordinary, commanding performances that literally left me shaking after the curtain call.

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